We've been a bit light on the content lately since we're heads-down creating assets, so we decided to switch up the cadence on the weekly updates to make them bi-weekly for now. If we have a particularly eventful week we'll throw in a one-off post, and we'll return to weekly as we get closer to our launch date since there will be much more newsworthy things happening at that point.

And no, this does not count as a weekly update. Have no fear, we'll be back next week with a real recap and will proceed bi-weekly from there!

Toodles,

Jeremy

Our main focus this week was continuing to get our game ready for the tutorial version, so we spent the vast majority of our week in Photoshop updating cards and creating assets. We are making temporary artwork for cards, tokens, and maps to hold us over until we get the official artwork from our artists, and we’re also making sure all of our reference material is up to date.
 
Speaking of artwork, we received updated versions of our box art and initial previews of the Adversary artwork for The Butcher and the Cone Snail. We’re looking forward to finalizing the box art soon and will plan on sharing that once all the logistics are taken care of. The initial versions of the Adversary artwork looked good and we can’t wait to see the final product!
 
In other news, while we were playing some games in Tabletop Simulator we stumbled across a game that allowed players to freely rotate objects around a character (as opposed to being limited to 15-degree increments). This was the biggest downside of TTS for us and we didn’t think it was possible to get around that issue but now we’ve seen it and plan on trying to replicate it. There will be many hours of scripting and trial and error in our future!
 
On the manufacturing front, we’re working with potential manufacturers to get samples for some of our more unique components such as the flashlights. A lot of the components are pretty straightforward, but since the flashlights are such a huge part of our game we want to make sure the manufacturer we go with is able to produce them the way we’re expecting.
 
That’s about it for last week! I know this was a bit shorter than usual, but we really did spend the vast majority of the week updating assets and there’s no use in me boring you with details. I promise these will get more exciting once we get closer to the Kickstarter!
 
Have a good one!
 
Jeremy 

​This week, we turned the dial back on playtesting a bit in order to spend some time on the more strategic aspects of game design, namely discussions about Kickstarter, artists, and community engagement. We’re quickly approaching the end of the year, which means we’re just as quickly approaching our desired Kickstarter timeframe.
 
With that in mind, we had some good discussion around how we wanted to handle the Kickstarter. Did we want to sign on a pledge manager, or did we want to try to handle that ourselves? How soon should we do X? When should we make a post about Y? These and many other questions were discussed this week and will continue to be discussed in the weeks and months to come.
 
Our artist continued to impress us with his box designs, and we’re inching closer and closer to a final cover that we can’t wait to share. Our Adversary artwork will be starting soon as well, and we’re excited to see how that turns out. We’re planning on handling some of the smaller art components such as tokens and icons ourselves, thanks to our resident junior graphic designer Ethan.
 
Lastly, we finally spent a decent chunk of time discussing our community engagement strategy and how we wanted to get more involved in the community. We had done a lot of reading on this concept but had yet to take any action, and I’m pleased to say we started to get involved in the community this week. We’re starting small by providing feedback for other designers on various platforms like Reddit and Facebook and will progress from there.
 
Even though I mentioned that we spent less time playtesting this week, that doesn’t mean we didn’t playtest! We actually had one of our most intense games yet, with it coming down to a matter of a single turn. As mentioned last week, we made some changes to the way objectives work so that any number of Investigators could escape through either objective and were excited to test those changes out.
 
Unfortunately for the Investigators, we weren’t able to test that change since we lost three out of the four of them before we even got to the point of being able to escape. The silver lining is that we realized one of the Apparition’s actions was quite powerful when there were three Apparitions, so we’re adjusting that power accordingly.
 
We’re coming up on some pretty major milestones between the tutorial version and our artwork, so stay tuned to see those once they are revealed!
 
Take it easy,
 
Jeremy

We’re back on track! At least for this week’s blog post, that is. We had another exciting week of playtesting, which has been the main focus over the past two weeks in case you couldn’t tell. We continued to learn new things about both the map and the Butcher, and we also continued testing new rules and strategies as a result of these new learnings.
 
Perhaps the main balancing / gameplay mechanic we are changing as a result of playtests this week is the way the objectives work. With the way the new objectives worked, players always had to perform both objectives if they wanted to escape since only two Investigators could escape through either objective.
 
After some discussion and feedback, we decided to switch it back to the old version, wherein all Investigators could get out of either objective. This will create a lot more variability in the end-game, as the adversary no longer knows exactly what’s going to unfold at the end of the game. We’ll be playtesting that change next week, so fingers crossed it goes well!
 
As we mentioned last week, we signed a contract with our board/box artist and we have seen some pretty amazing box art concepts already. We’re closing in on a design for the front of the box, which will inform how we design the rest of the box. Once we’ve aligned on that, it’s on to the board!
 
We’re also taking advantage of Joe Slack’s Board Game Design Virtual Summit, wherein industry pros give their input on various topics ranging from gaining a following to manufacturing and Kickstarting. The content has been great so far, and we look forward to watching the remaining interviews to see what else we can learn.
 
That about wraps it up for this week, but we’re excited that we’re progressing on all fronts. It’s hard to believe that 2021 is only a few months away, and we have a lot of work to wrap up before then. Here’s to many busy weeks/months ahead!
 
Catch you on the flip side!
 
Jeremy

​Yeah, yeah, we’re a bit late this week. It’s because we were busy playtesting! You heard me right, we finally dusted off TTS and had a couple playthroughs for the first time in almost a month and a half. It took us a solid minute to get back in the hang of things (and to explain all of the changes to our playtesters, bless their souls), but it was smooth sailing after that!
 
As mentioned in last week’s update, we realized that we needed to revamp both our map and our main adversary and spent the majority of the past two weeks doing that. We ended up deciding to put the tutorial-specific map and adversary on the backburner for now and focus on converting our existing map and adversary to make those tutorial-friendly.
 
I think we underestimated just how much we were going to change the adversary, since they went through a complete overhaul last week. Our first couple of playtests with the revised adversary went well, and we plan on continuing to revise them as we get more playtests under our belt.
 
The map itself didn’t change all that much, but the way in which you progress through the map certainly did. In some ways, we actually went back to how the map used to be when we were first getting started. The map initially had two phases, where you had to complete the first phase before you could escape. We decided to go back to that playstyle and the initial results have been promising.
 
In other exciting news, I used my 3D printer for the first time in what seemed like months to print out our first physical version of the flashlights! Aside from my terrible tracing skills, they turned out quite well and will allow us to perform our first physical playtests (safely, of course). Here they are in all their glory:

​We also signed a contract with our board and box artist, so we’re excited to get some more artwork to share with everyone. We’re also still going back and forth with manufacturers on different aspects of production, so we’re continuing to progress towards our goal of launching our Kickstarter early next year.
 
We hope to have a tutorial version ready to send out soon, so keep an eye out for communication once that’s ready to go!
 
Until next time,
 
Jeremy